“I Didn’t Believe It
When David Said It Cost
Less To Use A Print
Broker Then Buying
Printing Myself... Until
I Tried It And Saved
$1,000 In
My First Month!”
Secrets From An Industry
Insider
Here’s a
special interview that will
give you some great
information and ideas for
the next time one of your
clients has a need for
printing services. In this
interview with a gentleman
named David, I found that
it’s actually less expensive
and much easier to hire a
good printing broker or
printing distributor to
handle your clients’ needs
than trying to source the
printing yourself. Plus,
using a printing broker
prevents possible problems
with mailing pieces.
David is the
owner of a printing broker
company named One Source
Graphics. He has over 27
years of experience in the
field of printing. You’ll
hear David’s history in
printing, which started when
he was only 19 years old.
In looking
for a cost effective means
and quality printing, using
a printing broker may be the
way to go. The reason is
simple: Not every printing
shop has every piece of
machinery or specialty to do
everything it takes to get a
job done. David points out
that because of the
strategic business alliances
that printing brokers have
with specialty printing
companies, it will not cost
you more working with a
printing broker than if you
sourced the printing
yourself. Additionally,
since printing brokers
handle all facets of
printing, they have the
knowledge necessary to get
the job done right the first
time.
When asked
about what is important to
the marketplace in terms of
printing, David states that
price is not as important a
consideration as trust.
Businesses will gladly pay
more if they know that their
jobs will be done correctly
and on time. As such,
David’s company does not
portray itself as the
cheapest place in town.
When choosing
a printer, businesses (and
HMA Consultants) much match
their needs to the printer’s
capabilities. This is why
it is best to find a
printing broker that has a
great deal of knowledge in
the industry to get the job
done right.
David and I
discuss the trend of
printing going to a digital
process. David believes
that the industry is still
at the beginning of this
trend but is quickly
progressing more in the
digital direction. Short
runs fit the digital market
very well. However, digital
presses cannot be as
competitive as machinery
when doing large runs
because of press speeds.
Currently, the big advantage
that digital presses over
machinery is having the
ability to print variable
data on a piece, such as the
customer’s name.
David’s
organization sees a lot of
direct mail jobs and handles
complete fulfillment.
Listen as we get into the
intricate details of the
tools made available by
David’s company and the US
Post Office that ensure that
the customer knows that he
is getting what he paid
for. Although the printing
and fulfillment is handled
by businesses who are
strategic alliances, the
actual printer broker will
study the piece up front to
ensure that it will print
correctly.
Printing
costs depend on things like
colors and quantity. One
fact that you should be
aware of is that a customer
always must pay a set amount
up front regardless of the
quantity desired. As such,
the customer should look
ahead to see if he will need
that same piece printed
again in the near future and
if so, order the additional
quantity for the future
printing. This way, the
customer will save money on
the up front project cost.
Another
important thing to consider
is printing turnaround
time. David says that the
average turnaround time on a
project is from 7 to 10
working days. Businesses
that consistently mail dated
pieces for an event run the
risk of sending the pieces
for the event too late.
David recommends getting
dated pieces out at least
two weeks before the event.
As we discuss
direct mail, David says that
he sees more bulk mail. His
experience with the success
of his clients is mostly
dependent on the client
doing adequate testing of
the mailing. Clients must
do the proper research so
that they don’t throw a lot
of money away.
David and I
discuss:
-
If
booklets are an
effective way to
market. We also get
into the different
methods used to bind
booklets.
-
Good
sources for printing
small (60-80 page, black
& white) trade
paperbacks.
-
Finding
the right fit for the
printing of color post
cards.
-
How
digital file set ups are
becoming more and more
predominant and some
very, very important
issues if your digital
set up is in the format
of a PDF file.
-
How
David’s organization
specializes in graphic
design services. All
the customer needs to do
is send them the copy!
-
How
David’s organization is
great for clients who
are starting to collect
names and email
addresses to create a
database. David’s
organization is expert
at setting up good
contact management
systems.
-
How
“Send-Out Cards” have
become such a fantastic
sales tool. Again,
David’s organization
will ensure that
send-out cards go out to
clients like clockwork
and that contact
management needs are
fulfilled.
If you would
like to contact David about
his organization or his
services, you can reach him
by calling (888) 446-1139.
|
Michael: What would
be the difference, just a ballpark, in
costs for my printing dealing with a
broker like yourself compared to going
direct to the specialty shop?
David: There should not be any
difference because you have resources
and you have strategic alignments with
specific printers that you know you’re
going to get a rate because you’ve done
your homework, because you know what
you’re doing in the industry and you do
your homework as far as finding the
correct resource for all of the needs
that your clients may have.
[MUSIC]
Michael: Hi, this Michael Senoff with
Michael Senoff’s
www.hardtofindseminars.com and
an exclusive recording for my HMA
marketing consultants. As your working
with clients, you’re going to come upon
clients who have needs for printing
services. Now, I know you may not a
printing expert, but in this 50-minute
interview, I’ve interviewed an expert
who’s been in the printing trade for 27
years. David started in the printing
business straight out of high school at
19 and has learned an immense amount of
information on printing and how you can
service your clients printing needs by
using his specialized broker service.
The one thing I learned interviewing
David is that it’s cheaper to use an
expert broker than it is to try and
source the printing yourself. In this
50-minute recording you’re going to
learn all his secrets and some important
key things to keep in mind when sourcing
printing for your existing clients. I’m
sure you’ll find this extremely
beneficial and if you have any
questions, please don’t hesitate to
call.
But I want to give my HMA consultants
and other visitors to the site who are
in business who are spending money on
printing who are overpaying for printing
who are getting poor printing quality
and don’t realize the affect on their
business and I just want to take some of
your 27 years of experience and impart
that onto my site visitors and my HMA
consultants and hopefully we can clear
up some misconceptions and avoid some
common mistakes and just give them some
good insight.
David: I would be happy to.
Michael: Was your dad in the printing
business?
David: No, actually I went into printing
right out of high school.
Michael: Really?
David: Yes. I got my degree at night. I
worked my way up through a local
printing company.
Michael: Was it one of those chains…like
you see PIP Printing or one of the
franchises?
David: No, it’s a very large scale and
that’s basically how I was able to cut
my teeth in a way that provided me with
some really, really good knowledge.
Michael: So, you were still in your
teens when you got into it?
David: 19. I started more or less in the
bindery area. We manufactured labels,
the labels that you see on cans, jars of
jelly, and that type of thing. And I
actually got a promotion and moved into
the pre-press area where we separated
film…at that time it was film.
Michael: PMTs.
David: Right into four color and
prepared them to make printing plates.
And then from there I moved into
management. With that being said, moved
my way up the company and after 18 years
with that company, moved to another
where I actually sold commercial
printing.
Michael: Outside sales?
David: Yes. Actually I was their sales
manager; managed, I think three states
for them. And then I started One Source
Graphics. Basically, we’re a distributor
or a broker; you can call it what you
will, but that’s what we do. We
basically take the knowledge that we
have and because printing is still a
niche business, I mean if someone tells
you that it is not, they really need to
get some more knowledge there because
printing is still a niche business. Not
every printer can have every piece of
equipment. So, what we do is we shop the
job and try to find the best possible
fit for each printing job.
Michael: So, when you say they are a
niche business, what you mean is they’re
expert printer who specialize in
business cards, in forms, in labels, in
all the different areas that a company
may need printing, is that correct.
David: Yes. But along those same lines,
to take it a little bit further, there
are short-runs where you may need 500
postcards. You would run that on a
digital press in today’s market. Not to
say that you couldn’t run that job on a
26-inch press, you can, but it’s not as
cost effective that way. Of course, if
you have someone that needs 50,000
magazines…16-page magazine…then that
fits more with a web press where it goes
out of the sheet-fed realm into a roll
press. So, that’s the difference there.
Michael: What did you find as being a
salesman and a sales manager and
training your sales reps, what did you
find the marketplace is shopping on? Are
they concerned with quality or are they
more concerned with price? What’s
important to the marketplace when it
comes to printing, whether right or
wrong?
David: There are those out there who
shop for price and I think you’re always
going to have that, but by and large,
the clients that we run into and that we
deal with on a consistent basis, they
look for someone who’s going to do what
they say they’re going to do, do it
correctly, and do it on time. That’s
most important. Price is a
consideration. Obviously they’re going
to know if you’re gouging them, but it’s
not near as big of a consideration as
knowing that they can trust you.
Michael: So, you’re unique selling
proposition or when you told your sales
reps to go out there, they had to sell a
client and they sold them on timeliness
and quality and at a reasonable price;
all three together.
David: That’s right and I constantly
have sales reps come to me and say, oh
we got beat on price. And I said, look,
we’re not the cheapest game in town.
Don’t portray yourself as that because
that’s not who you are. You’re
competitive and your consistently
competitive, but you have so much more
to offer. That was tough for a
salesperson out there trying to
penetrate into a market. And, of course,
you have considerations like that when
you’re pricing a job for a new rep, but
by and large the industry does not shop
price, in my opinion.
Michael: Can we talk about some fatal
mistakes that people make when choosing
a printer; common mistakes you’ve seen
over the years that business owners or
managers who make when deciding on
choosing a printer?
David: Basically a business owner needs
to carefully consider the products that
they need. Early into this conversation,
you mentioned the chains, the PIP
Printing, those folks. You would be
surprised that the clients that go to
sort of Speedy and ask them to print
3,000 or 4,000 color brochures. That’s
not who they are. They are a copy shop.
When choosing a printer, it’s extremely
important to match your needs to their
capabilities.
Michael: So, how does the public
generally choose a printer? Do they
generally go to the Yellow Pages? I mean
that’s the first thing I would think or
do a search on Google. I don’t know what
I’m looking for.
David: Let me clarify that. There’s two
types of print buyers. There’s the print
buyer that for a larger organization and
that’s what that person does for a
living. So, therefore, they’ve got a
little bit more knowledge than someone
like yourself that you just gave the
sample for. You just need 500 or 1,000
postcards and you just start doing a
search on Google.
Michael: Right, and I’m kind of thinking
for my consultants. They’re not
printers. They’re not the buyers of
printing, but they may have a client who
needs printing done and they want to
offer that as part of their consulting
service. So, that’s why I’m saying if
they don’t know much about the industry,
what would you recommend a consultant to
source printing for their client.
David: I highly recommend that they go
to a distributor; I really, really do
because it allows them to…more or less
they probably don’t have an accurate
design of the piece that they want to do
and if so, is it setup using the correct
application, or you find someone who has
a lot of knowledge in the industry that
you can trust and know that they’re
going to find the best place for that
particular print job.
Michael: Sounds like to me it would
probably be counterproductive and
foolish to try and become an expert in
the printing industry. If I’m a
consultant, I want to find someone maybe
like yourself who has the 27 years of
experience and knows all the ins and
outs of all types of printing and just
deal through a broker like you.
David: Yes.
Michael: Obviously, you’ve got to make
something on it, but maybe it’ll make my
life easier and just pass on the extra
cost to my client. What would be the
difference, just a ballpark, in costs
for my printing dealing with a broker
like yourself compared to going direct
to the specialty shop?
David: There should not be any
difference.
Michael: Really?
David: No, because you have resources
and you have strategic alignments with
specific printers that you know you’re
going to get a rate because you’ve done
your homework, because you know what
you’re doing in the industry and you do
your homework as far as finding the
correct resource for all of the needs
that your clients may have.
Michael: So, if I’m looking for labels
for a client and I’m searching around
for companies that do it, they’re going
to know that I’m inexperienced and that
price they give me is going to reflect
on that.
David: Absolutely.
Michael: Where compared to going with a
distributor, like yourself, you already
have relationships. They know they can’t
overcharge you on labels.
David: Right. I’m not discouraging the
online resources out there. It’s hard
for me to say anything bad about that
because for the most part, they do a
very good job. But where they fail and
where they have problems is if a
particular print job goes out beyond the
normal postcards, the normal business
cards, the normal 8-1/2 x 11 letter-fold
brochure, then they have problems. Then
the client has to go and they have to
read all of the requirements, all of the
specification, just how to setup a file.
And if you setup a file in Microsoft
Publisher, for example, sure you can
probably handle that…a printer can
probably handle that, but it’s not the
optimum way to work through a printing
workflow. You’ve got to ask yourself are
your images at the proper resolution,
are your files all included…all of those
things. If you’re dealing with an online
resource, you don’t get that one-on-one.
Michael: Let’s talk about the online
resources and printing now going
digital. Are we in the digital
revolution for the printing industry?
What trends have you seen in the last
five years, where are we headed with
consumers purchasing printing related to
the Internet and digital?
David: I’d say we’re at the beginning.
Not where we were certainly two or three
years ago, but we’re progressing more
towards the middle of the digital
market. Right now if you have a small
quantities and when I say small quantity
I’m saying 1 to 500 or 1 to 750 or
1,000, that’s still considered a
short-run that would fit a digital
environment. The rub against the digital
press has always been speed, therefore,
if you have 30,000 pieces or 20,000
pieces, the digital press cannot be as
competitive. That’s changing. Not to say
that’s the case. It’s changing.
Michael: Why is it even now that the
digital press is not competitive with
the machinery?
David: Well, if you go to a regular
analog printing press that can run
13,000 to 18,000 sheets an hour, whereas
a digital press cannot match those press
speeds, obviously the digital press is
going to be higher.
Michael: So, it all comes to speed.
David: Yes. The digital press does a
wonderful job. I can’t say anything
about that. However, where the digital
press really, really has a huge
advantage, and this is where it’s going
to really shine as time goes on,
especially in regards to the direct mail
efforts, to marketing efforts is being
able to print variable data on a piece
as it’s being printed.
Michael: So, you’re saying…let’s say
you’re doing a mailing on a brochure. It
could customize that brochure with a
customer’s name and things like that.
David: Absolutely. And that’s taking
place right now for shorter-run work
very effectively and does a nice job.
That’s where the biggest changes are
going to take place.
Michael: I’m at your site here and I’m
just looking at some of the products
that you offer. Let’s talk a little bit
about each one of these type products
and how a business may use these are
what’s important about the printing of
these. Are you doing a lot of brochures
for companies?
David: Brochures are not nearly as
widespread now as mailers and postcards.
Michael: Do you see brochures as an
effective way to market a business?
David: Yes, I do, but I see a pocket
folder with more modular type pieces in
there, inside the pocket folder.
Michael: An 8-12 by 11 folder that opens
up with two pockets, one on each side?
David: Yes.
Michael: Okay.
David: It’s 9 by 12 so you can fit an
8-1/2 by 11 down inside of it. And the
reason I say it’s modular is because as
you’re always adding products or
changing your services or what have you,
it’s more cost effective to be able to
just print one sheet of something rather
than all of the pocket folders. Of
course, direct mail is still very alive
and well.
Michael: Are you doing a lot of direct
mail currently?
David: A lot of direct mail.
Michael: Are you doing complete
fulfillment?
David: Yes.
Michael: Everything from integrating the
database to printing the pieces,
stuffing the envelopes, postage, and
everything.
David: Right. Typically you’d give me a
data file and an art file and, of
course, we ask for postage before the
job is dropped in the mail, but that’s
all you need to do.
Michael: You farm all that out?
David: That’s correct.
Michael: This is, obviously, a concern.
How does a customer know and what kind
of safeguards and regulations are
there…let’s say if I hire you to drop
10,000 pieces of direct mail for me and
I’m paying you all the postage ahead of
time, how do I know that I’m getting
what I paid for? How do I know that the
letters are delivered, that all my
postage is used, etc.? Are there any
safeguards that protect consumers?
David: Absolutely. Number one, first and
foremost, if you write a postage check
to your mail house or your printer…who
ever is handling it…that check should be
written to Post Master -- number one
because the postage is not something
that a printer or a mail shop should run
through their books.
Number two is that you request a 3602
form. A 3602 form is a form from the
post office that more or less proves
that your piece went in the mail.
Michael: They give you a weight?
David: Yes and a count.
Michael: And a count.
David: Yes.
Michael: So, they should physically
count the pieces?
David: They’ll count it based upon
weight.
Michael: Okay, got it.
David: Yes. They don’t physically count
them, but yes and it shows that the mail
went through compliance, through the
_____ system at the post office, and
that it’s gone out the door. Now, say
you send me a list for 10,000 names. I
sorted through the list, I de-duped it,
I pulled out the bad addresses, and your
list was 9,800. I’d send you a postage
amount and a count…9,800 pieces…this is
your postage amount. When you get your
3602, you match that count up to the
count that your printer or mail shop
provided. So, that is your safeguard.
Michael: Let’s say I’m going to drop
10,000 pieces of mail. Let’s say it’s a
#10 envelope and a one-page letter. You
don’t have to give me the exact, but I’m
just trying to get an idea…it really
sounds attractive to me to just call
you, send you the data, send you the
artwork of the one-page letter, tell you
I want in a #10 envelope and have you
take care of everything because direct
mail is a real pain in the ass if you’re
doing it yourself.
David: It really is. You should have the
artwork looked at by someone in the
direct mail…whoever’s handling your
mail.
Michael: So, when send you my art you’re
going to review it.
David: Yes, absolutely.
Michael: You have staff that does
proofreading and really looks out for
the…
David: No, we don’t proofread.
Michael: But you’ll review it and make
sure it’s going to print properly?
David: Right and not only print
properly, but look at it for how is it
going to travel through the post office
because if you don’t have clearance for
the post office’s barcode and what have
you, then it’s not able to go at an
automated rate, therefore, your postage
goes up.
Michael: Give me an idea. What’s it
going to cost me to have fulfillment on
something like that; a simple #10,
one-page black and white, 10,000 pieces
and send you that data? Can I expect to
pay 10-cents a unit plus postage?
David: Plus postage that’s hard to say.
Michael: That’s hard to say, okay.
David: It’s extremely hard to say
because of the variables that are in
place. Number one, how many colors is
your letter going to be? How many colors
are your envelopes going to be, what
kind of paper? The quantity drives the
price a tremendous amount and that’s one
thing I would like to mention,
especially for the listeners and
yourself. As far as saving money in the
printing industry, quantity is key
because you’re going to pay a set amount
on a particular project whether you’re
doing one piece or 100,000 pieces. That
fixed cost is going to be there. I
always have clients that ask me what are
the quantity breaks on this and I always
answer that by saying look ahead, look
at your usage, please look at your usage
because it is much more cost effective
if you’re going to run 10,000 pieces
today, if you know in three months time
you’re going to need 10,000 more, it’s
going to be cheaper for you to purchase
20,000 now rather than come back and buy
10,000 three months from now.
Michael: And you guys will just
inventory it.
David: Sure, if we need to, yes.
Absolutely. Or we ship the whole product
to you or what have you. That’s just
good business.
Michael: What kind of speed and
turnaround? I want to mail out 10,000,
email you everything today, what kind of
turnaround could I expect before that
drops in the mail?
David: For 10,000 pieces, I’d like to
have seven to ten working days. That’s
another question I get a lot of, what is
your normal turn. Well, in today’s
world, there is no such a thing as
normal turn. It’s anywhere from two to
four or fives days on projects.
Michael: But coming from your experience
as a broker in the industry, what would
you my consultants…how much time should
we give you before you can complete a
job without too much stress and what can
we expect realistically for turnaround
for getting printing done for my
consulting clients?
David: From the date the printer
receives artwork to the date that it
goes out the door, seven to ten working
days.
Michael: That’s not bad. When you’re
doing direct mail, are you doing a lot
of bulk mail or do you do a lot of
direct mail with first class postage?
David: I’d say that’s probably more
towards the bulk mail side.
Michael: Are you privy on the results of
direct mail pieces and promotions? I
mean, you’re mailing them, but do you
know the results of any of these
mailings? Have you learned a lot over
the years?
David: Clients share that with me just
in conversations because they’re getting
their lists, they’re hoping for big
results from their lists and then if
they don’t get big results, then that
hurts them. They don’t like to talk
about it too much.
Michael: But you know if a client comes
back and keeps mailing and mailing or if
they have a winning promotion or
whatever and you know they’re doing a
ton of mailing, you’ve got a pretty good
suspicion that they’ve got a good piece
working.
David: Absolutely. But the key to it
all, from what I’ve learned in that
regard, is testing that list.
Michael: Testing the list.
David: No question. If you were to buy a
list…you buy a list for a small
geographic location, you test it because
the biggest cost was to pay for it was
not the printing.
Michael: It’s the postage.
David: It’s the postage.
Michael: Do you have good relationships
with list brokers?
David: I’ve got a couple. I’m not called
upon that often.
Michael: You’re more with the printing.
David: Yes. I’m just not called on that
often to buy lists.
Michael: There are expert list brokers.
So, come to you, do your research before
we provide you the list.
David: Yes because you could ultimately
throw away a lot of money.
Michael: Can you tell me a story of a
client that you’ve seen and you knew was
going to bomb in a promotion and just
threw away a lot of money and we can
glean a lesson from it?
David: I’ll tell you one that’s
consistent and this is not a specific
instance, but it did happen to me very
recently.
Michael: Consistently did good or
bombed?
David: It bombed because it didn’t hit
the mail stream fast enough;
inconsistently mailing dated pieces for
an event. And the postal service will
tell you that mail will hit the mail
stream in a certain time. If you pay
first class postage, you’re assuming
that first class is going to hit the
mail stream faster and to the post
office’s credit, it does. But if you’re
mailing something for an event that’s
next Thursday and today’s Wednesday,
you’re running a huge risk of not
getting any attendance for an event like
that.
Michael: Because the mail will never
show up.
David: It’ll either never show up or
it’ll get there the day before.
Michael: So, do you tell your clients
you’re dreaming?
David: Not in so many words.
Michael: But they want to save on
postage. They don’t believe it.
David: Right.
Michael: So, they have faith that third
class is going to make it there like
first class and it just doesn’t happen.
What have you seen are the differences
in the way the post office treats bulk
mail or third class mail compared to
first class?
David: I don’t notice the difference.
When the mail is taken to be dropped
off, I don’t notice that they process it
any differently. And I’m a fan of the
postal service to tell you the truth. I
think they do a good job.
Michael: How much time would you tell a
client to give if you’re doing an event
mailing for getting a piece to their
prospects?
David: Well, just out of consideration
to the event and to the person that
you’re trying to get to the event,
you’ve got to know that they’re busy
because people schedule their time out
days and weeks ahead. I would highly
recommend getting the piece in the mail
at least two weeks before an event.
Michael: Do you have the capacity to do
large mailing with first class postage
directly stuck on the envelope like a
real stamp, not one of the fake bulk
mail stamps?
David: Yes, you certainly can do live
stamps.
Michael: In doing that with you, do we
have to pay the postage directly to you
for you to buy the stamps on rolls to
put them on your machines?
David: Well, they would go, again, to
the post master, but it’s a receipt
showing that we did purchase them.
Michael: Let’s talk about booklet. What
is a booklet? Have you found these to be
an effective way to market is a booklet,
something that fits in a #10 envelope?
David: A booklet would not fit very well
into a #10. When you say booklet, you
traditionally think of 8-1/2 by 11.
Michael: Is it bound or stapled?
David: Stitched.
Michael: It’s stitched.
David: Yes.
Michael: Are there special machines and
special printers who handle just
booklets?
David: That is a niche in the industry.
That niche is narrowing. Most commercial
shops, most of the medium size shops
even, have the capability to saddle
stitch.
Michael: Tell me what the saddle
stitching is.
David: Basically the job is printed in
signatures. Signatures…page count
divisible by 8 preferably and you
basically fold those signatures up, you
run them through a piece of equipment
that staples on the spine of the
booklet, trims off the edges, and
basically you have a finished product.
Michael: I’ve got a lot of people who
are interested in creating information
products and I think it’s a trade
paperback, which is an 8-1/2 by 11
paperback book, could be 60-70-80 pages.
Do you have some good sources for trade
paperback printing?
David: What quantity would you be
talking about?
Michael: They’re probably smaller
quantities. I don’t know, maybe 100 to
200 to 500 to 1,000.
David: And would they be color?
Michael: They would not be color. They
would be mostly black and white.
David: The 100 to 200, even 500, that’s
where the sort of Speedy and the PIP
Printing…
Michael: They can handle paperbacks like
that?
David: Yes, most of them can.
Michael: What kind of spines are one
those on a trade paperback?
David: They can coil bind them, they can
staple them, they’d probably tape bind
them, which is a form of the perfect
binding.
Michael: Those sources…Speedy and these
franchises that you see out there are a
good place for that.
David: Oh sure, yes.
Michael: Tell me about postcards. Have
you had a lot of experience mailing
postcards?
David: Do a lot of postcards.
Michael: Color or black and white or
both.
David: Color.
Michael: Color.
David: Yes.
Michael: So, you’re printing them on
digital presses?
David: Depending upon the quantity. Gosh
I’ve done up to a million postcards at
once.
Michael: And you handle all the mailing
and everything?
David: Yes. Everything in this industry
is centered around that quantity. It’s a
very important aspect as far as
shopping, finding the right fit for the
job.
Michael: There’s something that’s
important to talk about and that is
digital files and getting files to you
via email or uploading. Let’s talk about
the importance of preparing files for
you before the printing is done.
David: There’s a saying, garbage in,
garbage out. That may sound harsh, but
that’s just the way it is. If you want a
promotional piece done for yourself and
it’s got your photo on it, let’s say,
and we get that photo on the file and
it’s dropped in there at 64 dpi, the
quality of that image is going to be
horrible.
Michael: So, what dpi resolution do I
need for photos for all my pieces?
David: At least 300 dpi.
Michael: If I provided you in a higher
quality dpi…600…it makes the file
larger, but is there going to be a
noticeable difference in the outcome of
the printing.
David: Not really, no. Not unless it’s a
real, real large piece like a poster.
The fonts are another issue. In today’s
world, you’ll get a lot of graphics
folks who are turning print ready PDFs.
Well, with those PDFs, if the fonts are
not embedded within that PDF and the
images are not high enough resolution,
then when the job is prepared to go to
plate before it’s printed or you get a
proof from your printer and those fonts
are not there, it’s going to be evident
on your proof and certainly on the
printed piece. Fonts are another huge
issue.
Michael: So, you’re saying the fonts
won’t be there at all or they’ll be
broken up?
David: It will automatically substitute
to something else.
Michael: Oh I see, so what’s happening
is a lot of people have programs that
they can design their fonts and use a
choice from thousands of them, but the
printing outcome doesn’t have that same
font and it’ll substitute it.
David: That’s right.
Michael: So, just because I send you a
PDF with a special looking font, it
doesn’t mean that you’re going to be
able to print it.
David: Not unless you include that font
within that PDF.
Michael: If I send you a PDF, I open up
the PDF and I have that font on the PDF,
isn’t that what I’m going to see in the
printing outcome?
David: Not necessarily because you can
save something to a PDF, but unless you
distill it…that’s the terminology within
the application…then those fonts are not
going to be embedded within that PDF.
Michael: If I send you the PDF, can you
identify whether those fonts are going
to print out or do I need to distill it
on the original program before I convert
it to PDF?
David: Ideally you’d include the fonts
before you convert it. All that does is
slow down the process and costs time.
But yes, to answer your question, every
job is pre-flighted once it arrives.
Michael: Is PDF the standard file that
printers are using?
David: It’s becoming that and basically
PDF can cover up a multitude of
problems. If I had the preference as to
whether I would get a PDF file or a
native file…if the native file is done
in a graphics application like InDesign
or Quark or PhotoShop or PageMaker or
Illustrator or something like that, I
would take the native file because it
allows for less opportunity in the
prepress area. It’s easier for someone
to look at something on a screen and say
that it looks good, but there’s a huge
difference between what looks good on a
screen and what looks good on a printed
piece.
Michael: Well, I noticed after talking
to you for a while, you’ve got tons of
experience in the printing industry, but
you’re not just staying within the
printing industry and you’ve created
other services that are fitting within
our time and business, which a lot of
printers don’t have. You’re doing and
offering graphic design services, email
marketing, custom cards and promotional
products. Let’s talk about some of your
other services and how my consultants
can benefit and we can start with your
graphic design services.
David: We have three or four very, very
competent designers.
Michael: All in-house or out?
David: They’re freelancers. They’ve been
qualified and time tested and true.
Michael: So, my consultants don’t need
to be graphic designers to help a
client?
David: No. One thing we do not do and I
can provide the service if I need
to…it’s just not something that I
recommend…we don’t copywrite. We don’t
provide copywriting services because you
know the message you want to portray.
So, what I like to receive from someone
is the copy that they want on the piece.
If they’ve got specific photos, that’s
fine, but if they have the copy, we can
take care of the rest. And you would be
put directly in touch with your
designer.
Michael: Could I have my client be
directly in touch with the designer?
David: Yes, absolutely.
Michael: Not a problem?
David: Not a problem.
Michael: And then I’m charged per hour
or per project or it depends?
David: It’s per project.
Michael: Per project.
David: Yes.
Michael: I’ll talk with the designer and
let them know what the project is and
they can get back with me with a quote
on what it’s going to cost.
David: Basically in the beginning
phases, you just contact me with what
you want. I provide you with the price.
Once it becomes a live project, I put
you directly in contact with the
designer.
Michael: How do I handle payment? Do I
have to pay 50% upfront or am I billed
or invoiced? How do you usually do that?
David: Typically with a first time
client, I ask for payment upfront and
then once we establish a history, then
we can set up terms.
Michael: Tell me about your email
marketing? Have you seen a successful
way to communicate with customers or do
you have a lot of clients using email
marketing services?
David: Not a huge amount. Listening to
your seminars is definitely a way to
stay in touch with clients in a very
affordable way. Whatever type of piece
that you want, whether it’s a direct
mail piece or an email piece, building
that list is key.
Michael: So, what’s the service you
provide for email?
David: Basically what I do is a set up
an autoresponder service based upon your
market. If indeed you want me to write
the copy for you, I will in that regard.
Michael: So, for instance, my HMA
consultants…step 2 that my consultants
do for clients is they integrate USP
into existing marketing and they also
start on the database. So, many of their
clients will be say retailers who have
never kept a database or never asked for
email addresses. And many of my
consultants want to know what’s the best
program to use to compile a database.
So, you’re saying you’re offering a
service…if my consultants contacted you
and they had a client who has now
started to collect email addresses or
data information, you could help them
compile and organize and continually
send out emails to those customers.
David: Absolutely. And what I’m finding,
Michael, is so often folks even on the
lowest of levels don’t have an internal
database. Are you finding that, as well?
There’s no contact management at all.
Michael: Yes, that’s correct.
David: I typically start there and help
them manage that and then we transfer
that information over to their
autoresponder.
Michael: Do you have people on staff who
enter the data?
David: Yes. Typically if it’s a lot of
data, yes we can do that. Of course if
it’s existing data, then we can
obviously import it.
Michael: What are these custom cards?
David: Basically its own autoresponder
per se, but you have to do it yourself
obviously. You set up campaigns. There’s
3,000 cards to choose from.
Michael: These are colored postcards?
David: Yes.
Michael: Are they overpriced because…
David: No, it’s right at $1.00 plus
postage per card.
Michael: One dollar plus postage.
David: Right. Now, this is a targeted
marketing piece. In other words, if I
contact you, I have a meeting with you
and we have an opportunity to do
business with one another and I want to
stay in touch with you, I set up a
campaign either monthly or bi-monthly or
every six months or whatever, a card
automatically goes out to you that I’ve
already set, I’ve already put the
message in there using my handwriting
font if I choose. Excellent, excellent
sales tool.
Michael: The postcard and the
production, you knowing what the cost is
and if you went to an outside source,
it’s not overpriced.
David: Right.
Michael: These aren’t postcards. These
are cards like a wedding invitation.
David: They do both greeting cards and
postcards.
Michael: Oh, they do postcards, as well.
David: Yes.
Michael: Is the greeting card a dollar
plus postage?
David: Yes.
Michael: And the postcards are a little
less?
David: A little bit less, yes.
Michael: They don’t do any #10
envelopes?
David: No, they do not.
Michael: I’ve been using the U.S. Post
Office online mailing site.
David: The two are very similar. I’ll
tell you it does as good a job, as well,
but there’s a contact management
capability. I don’t believe the post
office has that.
Michael: All right, David, I really
appreciate you taking the time to
explain some of the ins and outs in the
commercial printing industry and it
sounds like you’ve got the contacts
after 27 years within the industry. You
definitely enlightened me to know that
going through you, like a broker,
compared to going direct, I’m going to
get better service, better quality. I’m
going to have an advocate on my side.
I’m going to have an expert who can
identify problem files and prevent
possible problems in my printing jobs
for my clients, so it would only make
sense for me to call you. If someone
wanted to contact you or for a specific
quote, what would be the best phone
number for them to contact you?
David: Thank you, Michael. It’s (888)
446-1139.
Michael: (888) 446-1139. So, if they
called you, what could they expect from
you when they call. Generally when
someone calls you about something, what
happens?
David: We take care of everything. It
allows them to turn their job, their
project over to someone else and not
worry about it. We take care of the
entire project.
Michael: Very good. I really appreciate
it.
David: Thank you.
[END]
Michael: I hope you find this interview
extremely helpful and if you need any
information, you can contact David
direct at (888) 446-1139. That phone
number again is (888) 446-1139.
Here’s another bonus tip from Michael
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This is Michael Senoff with
www.HardtoFindSeminars.com
Shoo, that was a lot of questions, and
we uncovered a lot information in this
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email
Contact by Email
Please continue on to some of the other
recordings with Richard on Marketing
Consulting at
http://www.hardtofindseminars.com/HowToConsulting.htm
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